Leo Dillon was fascinated by Diane Sorber before he ever laid eyes on her. It was one of her paintings that caught his attention. For he did not know of any other student who had that deft, expressive technique. He was curious and a little jealous. He had a rival, and he knew it.
It was her third grade teacher who showed Peggy Rathmann that reading could be fun. She had spent the first two grades squinting at the blackboard, trying to make out the alphabet with her nearsighted eyes. But her third grade teacher used pictures to tell stories, and when Peggy grew up to be a famous illustrator, she made sure that her big, bold pictures were clearly outlined in black ink so the kids in the back of the class could see them clearly.
"Long, long ago, when the earth was set down and the sky was lifted up, all folktales were owned by the Sky God."
So begins an Ashanti tale, Anansi Does the Impossible!, retold by Verna Aardema. Anansi the Spider and his clever wife, Aso, use their wits to buy the folk tales for the Ashanti people. Verna Aardema spent much of her life retelling these folktales.
When David Small was, well, small, he was often sick and had to stay home from school. He would spend hours drawing and making up stories for fun to keep from being bored. He grew up in the very big city of Detroit, but he spent his summers out in the countryside with his grandparents. David was shy, but he enjoyed being with the animals on the farm, and he loved visiting museums with his parents and taking art lessons.
The Adventures of Beekle begins on an island of unclaimed imaginary friends, where each one eagerly waits to be paired up with the right child. When they are finally imagined by lonely boys or girls, they receive not only their best friends but also their names.
"This hat is not mine. I just stole it."
This is Not My Hat invites us into the mind of a tiny fish who cares nothing for his underwater brethren. The fish offers many reasons why he will succeed in his crime, why he deserves the hat over the much bigger fish he snatched it from. Obviously, we are dealing with a sociopath here.
When he was two, Paul Zelinsky’s family moved from an apartment near Chicago to a house in Kyoto, Japan. Most of the Japanese houses had walls made of paper. Though his was an exception, he does wonder if all that paper might have influenced him to become an artist. While in Kyoto, he drew the stylish and elegant geisha ladies. When they came back to Chicago, their family home overlooked a construction site, so he took to drawing tractors and steam shovels being driven by geishas!*
He kept on drawing and kept on getting better and found a market for his work after college. Through the years, he has illustrated many, many books and written some himself. Today, his life, as chronicled on Facebook, is a happy blend of family, visiting schools, and, of course, drawing!
Children’s author and illustrator Margot Zemach was born into a show business family--her father was a theater director, and her mother was an actress. Growing up, she drew imaginatively costumed characters to retell her favorite fairy stories and folktales, something she continued to do as an adult that would lead her to worldwide fame.
As she wrote in her autobiography, Self-Portrait: Margot Zemach: "I can create my own theater and be in charge of everything. When there is a story I want to tell in pictures, I find my actors, build the sets, design the costumes and light the stage. . . . If I can get it all together and moving, it will come to life. The actors will work with each other, and the dancers will hear the music and dance. When the book closes, the curtain comes down."
When it first appeared in 1963, Maurice Sendak’s Where the Wild Things Are didn’t look like or read like any other children’s book out there. It was full of mystery and wonder--and Wild Things with attitude, including the King of all Wild Things, our hero Max.
But Max of the wolf suit wasn’t originally supposed to voyage to the Land of the Wild Things. He was first scheduled to be visiting the Land of the Wild Horses--which was how the book was planned and given to Maurice Sendak to write and illustrate. The problem was, the author/illustrator did not know how to draw horses. So his editor let him change them to Wild Things, a take on the Yiddish phrase "Vilde chaya,” meaning boisterous children.* This changeover was magic.
Picture book writer and illustrator Uri Shulevitz came into a world on the brink of a devastating war. The son of son of Abraham and Szandla (Hermanstat) Shulevitz, Uri (pronounced oo-ree), he was only four years old when German bombs falling on Warsaw drove his Jewish family out of the city and into an eight-year period of travel in exile throughout Europe before finally settling in Paris in 1947, when Uri was twelve years old.