Provensen and Provensen. Alice and Martin. Martin and Alice. Two illustrators and writers working so closely together that their styles were indistinguishable. It was the same style really, gentle drawings so delightful in their clarity that they subtly underscored the text of the dozens of children's books that they illustrated.
"One of the most important things is to laugh with your children and to let them see you think they're being funny when they're trying to be. It gives children enormous pleasure to think they've made you laugh. They feel they've reached one of the nicest parts in you.... As a picture book artist, I don't think one can be too much on the side of the child."*
Helen Oxenbury understands babies. She knows that they are messy, cranky, and wonderful. She knows that few things fascinate a baby like, well, another baby. In the world of board books, those sturdy first books that are impervious to drool and can survive a few tasty chews, Helen Oxenbury reigns supreme.
The Owl and the pussy-cat went to sea
In a beautiful pea-green boat,
They took some honey, and plenty of money,
Wrapped up in a five-pound note.
The Owl and the Pussycat is a funny sort of poem indeed and only one of Mr. Lear's many nonsense verses. Anyone who would travel along with a Pobble who has no toes or take a sail in a sieve with the blue-handed Jumblies is welcome to be a friend of Mr. Lear.
"...that’s the fun of it to create from scratch, it’s to me, it’s creative in one sense of the word. I try to make exciting books for children and of course, I do them for myself too, I put everything I have into them."*
There was a stuffed bear in a department store who was missing a button, but a little girl loved him anyway. She didn’t want a perfect companion. She wanted Corduroy. Don Freeman’s stories about the plucky bear and his friend are still treasured and shared decades after they were written. A true classic, Corduroy can found in pretty much every library and book store with space set aside for young ones.
A Solid Beginning
Arnaud “Arna” Wendell Bontemps was born on October 13, 1902, in Alexandria, Louisiana, a child of middle class parents of mixed racial heritage—what is sometimes called Creole. His father, Paul Bismark Bontemps, was descended from French plantation owners living in Haiti and their slaves. After coming to the United States, the Bontemps family lived free in Louisiana for decades, and the many of the men worked as skilled brick and stone masons for generations. In addition to working his trade, Arna’s father also played music with a popular band. Arna’s mother, Maria (pronounced Ma-rye-ah) Carolina Pembrooke was descended from an English planter and his Cherokee wife. Maria taught public school and enjoyed creating visual art.
Maya Angelou is famous today for her memorable words. She should also be remembered for her indomitable spirit.
Leo Dillon was fascinated by Diane Sorber before he ever laid eyes on her. It was one of her paintings that caught his attention. For he did not know of any other student who had that deft, expressive technique. He was curious and a little jealous. He had a rival, and he knew it.
Vera Baker was born in Los Angeles, California, on January 28, 1927. She and her family moved to New York City when she was quite young. Luckily for Vera, they lived near a studio space called Bronx House where she learned painting, writing, acting, and dance. When she was nine-years-old, one of her paintings, called "Yentas," was put on exhibit at the Museum of Modern Art. She was filmed there explaining to First Lady Eleanor Roosevelt the meaning behind her work. The Movietone film reel ran before the regular features at the movies. This, Vera recalled, made her quite a big shot in the neighborhood!
Born: January 28, 1927, in Los Angeles, California
Parents: Albert Baker and Rebecca (Porringer) Baker, Jewish immigrants
Attended: the High School of Music and Arts in Manhattan; bachelor's degree in graphic arts from Black Mountain College in North Carolina
Married: Paul Williams (divorced in 1970)
Children: Sarah, Jennifer, and Merce
First book (illustrated): Hooray for Me! with text by Remy Charlip and Lilian Moore; First Book (written and illustrated): It's a Gingerbread House: Bake It, Build It, Eat It
Selected Awards: Caldecott Honors for "More More More" Said the Baby and A Chair for My Mother; Parents' Choice Award (illustration) for Three Days on a River in a Red Canoe; Jane Addams Honor for Amber Was Brave, Essie Was Smart; Regina Medal of the Catholic Library Association for her body of work; NSK Neustadt Prize for Children’s Literature for her body of work
Arrested at a women's anti-war protest at the Pentagon in 1981 and served a month at a federal prison camp in Alderson, West Virginia.
- Born on December 8, 1940, in Washington, D.C. to L.G. and Eleanor Schneider
- Received a B.A. in art from Smith College in 1963
- Married Tomas Azarian, a musician, that same year
- Mother of three sons—Ethan, Jesse, and Timothy
- Now resides in Plainfield, Vermont
Mary was raised on a small farm in Virginia, yet her life's road would take her into the New England countryside where she would create folk art that celebrates the region's traditional farming culture. She has illustrated more than 50 books and written several of her own, often employing a 19th-century hand press to create her woodcut designs.
Marcia Sewall's name can be found on the covers of many books in the library. She has a simple drawing style that conveys the rhythm and characters of the stories without overwhelming them. Whether the subject is something light-hearted, such as Daisy's Taxi, or bold retellings of Thanksgiving history, Marcia's drawings give the books a clarity that works beautifully with their storylines.