People can be mighty particular about their cornbread. They have strong feelings about which kind of meal to use (yellow or white), what to cook it in, what to use for leavening, and what to add in for extra flavor—or not. From such regional and personal beliefs comes Crescent Dragonwagon’s The Cornbread Gospels, with delicious takes on this homespun favorite.
If you’re looking to expand your knowledge of the joys of cornbread, whether it’s a semi-soufflé of spoonbread for the Thanksgiving meal or something plainer to go with your New Year’s Day black-eyed peas, The Cornbread Gospels has your dish. Drawn from the recipe files of excellent cooks from across America and around the world, you’ll get a taste for different cultures as well as their preferred methods and flavors, with the talented wordsmith Crescent Dragonwagon as your guide.
If you like a good cooking show—and a good story—dive into John O’Connell’s The Book of Spice for a lot of kitchen knowledge, delivered with an English accent. From his first try at tandoori chicken at a family picnic, Mr. O’Connell was hooked on the beautiful differences spices could make.
As seasoned cooks know, spice is very nice, and there are certainly more of them available now, both online and in the supermarket. Indeed, there are so many herbs, spices, and blends that it’s a daunting proposition to select one to try out. Surely it would be better if you understood not only their uses but also their fascinating histories.
In Candyfreak, Steve Almond makes the typical chocoholic look like a quitter. Almond doesn’t just enjoy the occasional sweet indulgence. He is enamored with candy, especially chocolate candy bars. This infatuation drives his curiosity about the candy industry. It also compels Almond to wax poetic when describing candy’s taste and texture or lovingly tracing the popularity and disappearance of archaic, often regional, candies, such as Caravelle, Twin Bing, Idaho Spud, and Valomilk.
Throughout Candyfreak, Almond refers to his obsession with candy as a “freak,” arguing that the energy he expends thinking about, describing, hoarding, and consuming candy is not inherently different from the more widely accepted obsessive hobbies, such as sports fandom or extreme collecting: “[W]e don’t choose our freaks, they choose us. I don’t mean this as some kind of hippy dippy aphorism about the power of fate. We may not understand why we freak on a particular food or band or sports team. We may have no conscious control over our allegiances. But they arise from our most sacred fears and desires and, as such, they represent the truest expression of ourselves.”