When it first appeared in 1963, Maurice Sendak’s Where the Wild Things Are didn’t look like or read like any other children’s book out there. It was full of mystery and wonder--and Wild Things with attitude, including the King of all Wild Things, our hero Max.
But Max of the wolf suit wasn’t originally supposed to voyage to the Land of the Wild Things. He was first scheduled to be visiting the Land of the Wild Horses--which was how the book was planned and given to Maurice Sendak to write and illustrate. The problem was, the author/illustrator did not know how to draw horses. So his editor let him change them to Wild Things, a take on the Yiddish phrase "Vilde chaya,” meaning boisterous children.* This changeover was magic.
It's true: most people would do just about anything to get out of having to speak in public, whether it's the standard "everyone in this class will give an oral report" situation or an acceptance speech for some nifty award you've just received. The knees knock, the heart pounds, and the words you've practiced and practiced and practiced fly right out of your mind. You find yourself resorting to reading from the index cards with your eyes down, your voice a droning monotone, and the sweat beading on your forehead. Yuck. Not a good situation. It's painful for you as the presenter and even more painful for your audience to watch. Here's a bit of advice for beginning public speakers.
Leo Lionni was born into a family that appreciated art, and, from a very young age, he knew he wanted to be an artist. He loved nature and started keeping small creatures--minnows, birds, fish, and more--in his attic room in Amsterdam. He also created terrariums, and many of these natural details found their way into his later work. Like so many successful children’s authors, Leo Lionni was able to remember and tap into the things that were important to him when he was a child.
What would you do if you discovered that you could read other people’s thoughts?
It’s not bad enough that Callie Anderson has to get glasses just before the start of middle school, but they are the ugliest glasses she has ever seen. Yet those huge, geeky lenses and fat black frames hide a secret. These glasses show Callie what other people are thinking. Maybe they will actually help her. And she can use all of the help she can get. She’s lost in math and Spanish classes. Her best friend seems to be drifting away. And her parents’ marriage is falling apart. But can Callie follow the eye doctor’s instructions and learn to use the glasses wisely?