Author of the Month
Authors by their birthday month: January -- February -- March -- April -- May -- June -- July -- August -- September -- October -- November -- December
When Phyllis Reynolds was in first grade, she had a hard time making sense of the stories her teacher wrote on the blackboard. Those little, squiggly characters danced crazily across the open space and didn't mean a thing to her. One day, her teacher asked her to read a story out loud. Phyllis didn't hesitate for a second. She plunged into an exciting story-- her own story-- about a cat and a tree and an autumn day. The teacher shook her head sadly at Phyllis. No, she hadn't gotten it. But she had gotten it-- the desire to tell stories. In time, she did learn to read, and soon she was writing her own books on notebook paper. Phyllis had found a love for writing that she has never lost through the tough times and the good.
When Mercer Mayer was a young artist looking for book illustration work, a potential employer suggested he give up and throw away his portfolio. Fortunately for the thousands of children who have enjoyed his many books, he did not give up. Indeed, he went on to create one of the first widely-published wordless books for children, A Boy, A Frog, and a Dog. That book and its successors were hugely popular.
Soon after that, Mayer tackled one of the biggest problems facing young children—how to cope with fears of the unknown. Rather than write pedantic, matter-of-fact, non-fiction children’s books, he turned the process of dealing with those fears into engaging stories from a child’s point of view: There’s a Nightmare in My Closet; There’s an Alligator under My Bed; and There’s Something in My Attic.
When people hear the name Ann M. Martin, they naturally think of her wildly popular Baby-sitters Club series. What was supposed to be just a four-book set turned into a 130-book saga, not counting the 120-book series for younger readers, Baby-sitters' Club Little Sisters and other spin-offs.
Why did these quick books about four very different middle-school friends take off on the bestseller lists? The secret must lie with Ann's gift for remembering her feelings throughout childhood and young adulthood. She was a babysitter herself, and a lot of the things that happened to the babysitters on the job happened to her or her friends. She also remembers what it feels like to lose a parent, have an annoying little sister, and deal with family secrets.
“I have always thought my best stuff was in my sketchbooks. I have hundreds and hundreds of sketchbooks. I like to work at night, I suppose because that’s when my defenses are sort of low. I have my most creative ideas at night. I’m less inhibited, and I really let it rip.”
From: Ways of Telling: Conversations on the Art of the Picture Book, edited by Leonard S. Marcus. p. 96; pp. 82-106 are on James Marshall
Throughout the 1970s and 1980s, James Marshall’s whimsical drawings added humor to dozens of children’s picture books. While many were made for other writers’ works, including classics such as Mother Goose, Edward Lear, and Ogden Nash, he was also a talented writer on his own. Indeed, he became one of the most popular and prolific illustrators in children’s publishing. In high school, however, he wasn’t so much about the art--though he did doodle, as he called it--as about the music which he saw as a way to get a scholarship to college far away from swampy Texas town where his family lived.
For years, Anita Lobel shied away from many memories of her childhood, and she had good reason to do so. Born in Poland just before World War II, Anita’s father ran a chocolate factory and the family was rather well off. Her mother had furs and jewels and employed servants to help with the housework and the children, including a beloved nanny, Niania. All that was soon to change when the Nazis marched into Kraków.
She was born Madeleine Camp in grand old New York City on November 29, 1918. Young Madeleine took her meals on a tray in her room with her beloved Nanny, in the English fashion. Often at night, her father and mother would go out to the theatre. Other times, the theatre and literary world would come to them. Madeleine's mother, a Southern belle, played the grand piano wonderfully, and the family apartment would be filled with music and friends.
Wilbur Munro Leaf is best known for his beloved book, The Story of Ferdinand. It’s the tale of a peaceful yet rebellious bull that would rather enjoy the flowers in his meadow than fight in an arena. Munro Leaf and his friend, award-winning artist and writer Robert Lawson, had been talking about the kind of book they would want to write if they could get past the publisher’s ideas of what made a good book. It took him less than an hour—“25 minutes on a rainy Saturday”--to scribble down the story on a yellow pad of paper. With Lawson’s illustrations, the beatific bull was on his way to becoming internationally famous for his peaceful message in 1936--a time when the world was coming apart in war.
Milo was bored. So very bored by school, by books, and by toys that when he found a package marked "One Genuine Turnpike Tollbooth" he figured he couldn't possibly get any more bored by looking at it. So he opened it, set it up, climbed into his electric car and sped off for adventures in Dictionopolis, the land of words, and Digitopolis, the land of numbers. Accompanied by the faithful watchdog Tock, he faces the raucous Dischord & Dynne, the Terrible Trivium, and many other odd and wonderful creatures.